After a couple of episodes of Marvel's Daredevil -- obligatory, "Now available on Netflix!" -- one thing that really stands out to me is just how hellish life is when you're not on SHIELD's helicarrier. Throughout the Avengers/Marvel Universe movies, we get a sanitized version of the results of the kind of violence that meta-humans and gods can unleash (not to mention the aliens) on a city. Those gargantuan Chitari flying whale-things in Avengers easily topple buildings and the Hulk is smashing everything that is and isn't moving but you never get a sense of the human cost behind all that destruction. Thousands must have died in the "Battle for New York." Never mind that "The Council" was going to nuke Manhattan, there must have been massive causualties on the ground.
Daredevil doesn't really get into that aspect of the Battle for New York, but it has featured the aftermath as a boon for organized crime to rebuild sections of the city and swindle huge amounts of cash into their bank accounts. What Daredevil has done is bring the Marvel Universe right down to the streets, grime and garbage included. (And at the end of the second episode, we go under the streets in one intense round of combat.)
From the brain and typing fingers of Aaron Simmer (you might remember him from The Armchair Empire).
Wednesday, April 15, 2015
Daredevil
Labels:
daredevil,
marvel comics,
marvel universe,
matt,
murdock,
netflix,
the man without fear
Wednesday, April 1, 2015
Fat-Man & Burger
I think I was 7 or 8 -- somewhere around that age -- when I got hold of a mechanical pencil for the first time in my life. I loved the fact that the tip never blunted, which is still a problem with modern pencils, so I spent and afternoon/evening drawing "Fat-Man & Burger."
The ending lacks a punch, but I'm fond of some of the illustrations, particularly the panel where Fat-Man is sweating profusely.
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